Wednesday, November 13, 2019
Oedipus the King Essay -- Classics Oedipus King Essays
Oedipus the King    Oedipus the King is the perfect example of a tragedy. It contains a  complete combination of all the features of a tragedy. Aristotle in  his Poetics[1] defines Oedipus as being 'a definite example of the  form and purpose of tragedy'. In tragedies the Greeks dramatized  climactic events in the lives of heroes, and Oedipus' story is no  exception. By using many different literary devices it brings moral  dilemmas of action and motive to the public stage. The action is set  out over the timeframe of one day, which will according to the prophet  Tiresias will bring Oedipus' 'birth' and 'destruction'.    King Oedipus is the central protagonist and within his character lies  a tragic flaw. He is unintentionally the architect of his own  downfall. The strengths that once lead him to solve the riddle behind  the sphinx later lead him to his own downfall. In the words of the  priest; 'you helped us stand, only to fall once more'. Oedipus'  hamartia is his anger. It lies at the root of the plot. It was fury  that lead him to kill Laius. He was about to thrust Oedipus off the  road one night, so Oedipus 'paid him back with interest' by murdering  him. Another flaw is a persistent desire to discover the truth. His  'mindless stubbornness' motivates him to seek the truth about Laius'  killer and who his father is. This search leads to the turn of events  that take place throughout the play.    Despite constant denial of his fate he cannot deny the work of the  gods. Tiresias delivers him a prophecy of this fate. Oedipus'  circumstances are far beyond his own control. No matter what he  attempts to do or alter every path leads the same way. He finds  himself 'always terrified Apollo's' oracle might come true'. However  he is determined to seek out the Kings murderer to punish him. This  search interlinks with the search for his father. Jocasta also tries  to deny destiny believing that 'nothing human can penetrate the  future'. She claims to believe that 'It's all chance, chance rules our  lives'. However fate inevitably takes over. Through the process of  anagorsis Oedipus discovers he is in fact the very criminal he seeks.  Along with this he realises further truth in the prophecy, that he is  married to his mother. Jocasta also comes to realise the same truth.  By the end of the play his final downfall along with hers is  inevitable.    Tragic iro...              ...loins that spawned my wretched  life. What grief can crown this grief? It's mine alone, my destiny - I  am Oedipus!'    These two statements show the peripeteia of Oedipus' life. Once a hero  basked in glory, he has now succumbed to his destiny. In turn he is  lowered to a truly pathetic state.    His altered state serves to highlight the reversal of fortune he  undergoes. His tragic flaw leads him to acknowledging his fate.  Oedipus' downfall comes as he tries to escape fate but cannot. The  audience knows this as does the chorus and we can only watch.    Oedipus the King contains nothing outside of the definition; it's just  pure Tragedy at the very core. It also confirms to Aristotle's theory  of Tragedy. It obeys all the rules    and the elements of Tragedy mentioned throughout. These features  entwine together to create the ultimate work of Tragedy. From all of  this it is unquestionable that the word 'tragedy' is a usefully  accurate description of Sophocles' play Oedipus the King.    ---------------------------------------------------------------------    [1] W.B. Worthen, The Harcourt Brace Anthology of Drama, 3rd Edition      (USA, Harcourt College Publishers, 2000), p 72.                      
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